This lens excels at wide atmospheric shots and when you are able to get very close in to performers, to really take advantage of the crazy wide perspective. The 14-24mm f/2.8 is a phenomenal lens - it's ultra-wide angle field of view is so addicting that you'll want to use it far more than is prudent. The range of 17-55mm covers you from wide-angle to short telephoto, which makes this a viable single lens option for smaller shows. While it offers a more limited zoom range than the Nikon 16-80mm, you get a constant, fast f/2.8 aperture and very fast AF performance. The Nikon 17-55mm f/2.8 is the classic midrange zoom for DX cameras with pro-level specs. With the high ISO performance of modern DSLRs being exceptionally good even up to ISO 6400, I feel comfortable recommending f/4 lenses to the beginning concert photographer, especially in the super-useful range of the Nikon 16-80mm. While this is a variable aperture lens, it features a pretty narrow range that remains relatively fast, topping out at f/4. If you shoot with a DX camera, the 16-80mm f/2.8-4E is a lens that bears consideration. On a full-frame FX camera, 50mm is more ideal, offering a very natural perspective that lets you create isolation in your framing while not being too tight. On DX, 50mm becomes a short telephoto, but still offers some good flexibility. ![]() ![]() This is a super economical lens if you are just starting out, and it is much faster than any zoom lens in the mildest ballpark of price. If you have one prime in your bag, this is an exceptionally versatile focal length and a great place to start, especially if you shoot smaller, more intimate gigs. At 35mm, you get a balance between a wider field of view with the ability to start to isolate subjects a little more. The 35mm focal length is a classic and works well on FX and DX cameras alike, offering a field-of-view of a 50mm lens on the latter. On FX cameras, 24mm is excellent for wider shots showing multiple band members or when you're shooting in small venues very close to the performers. The Nikon 24mm f/1.8 is a great perspective on full-frame cameras and offers close to a 35mm focal length on DX cameras - useful either way you slice it. While Nikon's very excellent f/1.4 lenses do have their own performance advantages, and I would not dissuade you from spending the extra cash if you have it, the f/1.8 versions of these primes are exceptionally good performers and I have no hesitations recommending them. The 2/3-stop difference between f/1.4 and f/1.8 is marginal in all but the most extreme situations, and here I feel like the weight and cost savings for these f/1.8 lenses is very real and worthwhile for most photographers. I feel while f/1.4 primes certainly have their place, I almost always prefer zooms when the light is available to use f/2.8 glass. I'm going to go out on a limb and recommend all f/1.8 lenses in this guide. You're often shooting in the upper limits of what the camera was designed to do, in terms of low light autofocus performance, high ISO image quality, and speed. In terms of lenses, it pays to have lenses with wide apertures and fast AF response.Īs a pro music photographer, here's a comprehensive list of Nikon lenses that I recommend for shooting concert photography, from primes to zooms, full-frame and APS. Tokina 100mm f/2.Live music is demanding. Here are some recommended Macro lenses for Nikon D3300, the AF-S DX Micro-Nikkor 40mm f/2.8G, Tokina 100mm f/2.8 AT-X M100 AF Pro D Macro are cheap and good macro lenses, more macro lenses listed below. the best choice is Sigma 18-35mm f/1.8 DC HSM lens. There are a lot of great wide-angle lenses for Nikon D3300, you can choose from Nikon, Sigma, Tokina and other lenses. If you need a cheap lens, just take a look at below. Of course, the best zoom lens for Nikon D3300 is the king of APS-C zoom lens Sigma 18-35mm f/1.8, though the price is a little expensive. The AF-S NIKKOR 70-300mm lens another great lens for D3300, this lens cost $587. And other recommended portrait lenses are AF-S Nikkor 85mm f/1.8G and AF-S Nikkor 50mm f/1.4 G. The Sigma 50mm F1.4 EX DG HSM is one of the best 50mm portrait lenses. The AF-S NIKKOR 50mm f/1.8G is one of the cheapest lens yet a very good choice for Nikon D3300. Here are several best portrait lenses are very popular for Nikon D3300. Standard prime and portrait lenses are good lenses for everyday’s use. ![]() ![]() Today, we are going to showing you recommended lenses for Nikon D3300 camera.ĥ0mm, 85mm Portrait Pirme Lenses | Zoom Lenses | Wide-Angle Lenses | Macro Lensesīest 50mm, 85mm Standard Prime (Portrait) lenses for Nikon D3300 Nikon D3300 replaced the Nikon D3200 with the new EXPEED 4 image processor, other specs are stay same as D3200. Nikon D3300 is an entry-level APS-C DX format DSLR camera released in 2014.
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